Tones to leave on
Soft, steady tones to sit inside for a while — the frequencies people reach for to settle, sleep or focus. Every tone fades in gently, plays with a warm timbre rather than a raw sine, and can breathe, layer with others, or split into a binaural beat on headphones. A timer fades everything out. The evidence for each is labelled honestly: some of this has small studies behind it, most of it is tradition.
The room plays through each sprint, dips to a murmur for the rest with a soft chime at every turn, and takes a longer rest after four rounds. With nothing playing it starts the Work preset.
ready · sound starts on your first tap
The two frequencies with the best small-study support, plus the low hums that are easiest on the ear for long stretches.
Not frequencies but beds: rain, surf, a stream, wind, a fire, a summer night, a fan, and the two noises. All of it is generated live, so it never loops. Layer one under a low hum, set the timer, and let it carry you off.
Nine tones assigned meanings in the 1970s from a numerological reading of a mediaeval hymn. No controlled evidence apart from 528 Hz — but they sit well together, and the lower ones make good drones.
Every tone above carries small numbers linking here. Where a line says pilot, read the sample size before you read the result.